About Guitars Buying a new guitar is a considerable investment for most of us. An instrument is all about inspiration. You are the musician and the guitar is the tool you use to express your feelings and music. This has nothing to do with what models you choose or how much they cost. Some basic knowledge about the different wood types, neck and body profiles, pickups etc will help you in making the best choice. However, over the last decade or so, the MIMs has gotten a considerable face lift and the overall quality is very high. In fact, the reason why they are cheaper, ha sless to do with quality but rather lower labour costs, cheaper type of laquer and apply methods etc. Japanese Fenders are considered to be above the Mexicans and perhaps even just as good as the US. In the 80s and early 90s, Japanese Fenders were well known for being superior to any other models and the quality is still top notch.
Dating fender telecaster serial
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· Early reissues of the Stratocaster (left) and Telecaster. By the late s, cumulative changes in the details of the various classic guitar models on the market – Fender’s Stratocaster and Telecaster, and Gibson’s Les Paul – were so numerous that the instruments barely resembled their original ://
But, with more sales came more production, and more production meant less attention to details and a slumping of quality-control. They were getting more poorly-made instruments as the years went on and found they were still paying a high price for them. With the introduction of many other versions of the Strat and Tele, and other less-popular models, guitarists started looking for alternatives to Fender guitars.
At this time in Japan, the electric guitar was making its great debut, and Fender guitars were highly sought-after. Pickups were unwound and studied electronically, wood core samples were taken and exact dimensions of the woods were recorded. Artists were paid to replicate the logo designs and hardware designs. And then, finally, the Japanese started to manufacture their own Fender replicas under the names of such companies as Greco, Fernandes, ESP, Joo Dee, Westminster, Heerby, El Maya, and even Yamaha so that they could enjoy what America was enjoying, but under their own terms and at their own cost.
And most importantly, these guitars were easily available from local music shops. This went on for a number of years until it had become so popular that Fender was made aware of the situation and decided to really take a look at what was going on in Japan. After deliberately getting their hands on a few good copies, they were astonished and probably really angry about how accurate some of the copies were.
Guitar Player Magazine Backissues
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Don Randall, former President of Fender Sales, became Vice-President and General Manager of CBS’s new Fender division; Leo himself was given a research and development consultancy, but took no further part in running his old business, and did not retain an office at its Fullerton headquarters. His reasons for selling were probably related to a bout of poor health during , and to his knowledge that Fender badly needed additional capital.
CBS was able to provide this, but its ‘big business’ approach to management and product development would soon affect the reputation of its subsidiary. Despite such changes and uncertainties, however, Fender Telecasters from and differed little from their pre-CBS counterparts, and it was not until a good deal later that any significant alterations to them were made. In as described previously , the Tele was rewired to remove its bass boost circuit and allow two-pickup operation, and, the following year, a new variant, the Thinline, was launched.
It combined a half hollowed-out body with the standard Telecaster pickup configuration and neck, and remained in production until the late s. Originally, the Thinline was fitted with single-coil pickups identical to the regular Telecaster’s, but from these were replaced by humbuckers as seen here designed by ex-Gibson engineer Seth Lover The Stratocaster underwent an earlier, more controversial modification: A cosmetic change affecting all Fenders took place around , when the firm abandoned the use of three-coat nitro-cellulose finishes on its instrument bodies, substituting polyester, which is easier to apply.
However, its lettering, showing the model’s name and manufacturer, is smaller and less bold than on the other Strats with the new headstock also seen here. Fender reverted to a more compact headstock in Its extra space and capacity were essential, as the company’s product range was steadily expanding. Both steeds survived in the Fender catalogue until the s. Fender’s first hollow-body electrics, the Coronado I and II, debuted in
Vintage Ibanez Guitar Catalogs – 1971 through 2007
The Japanese guitar company made a name for itself on signature guitar models built for some of the most popular musicians of the time period. Identifying model years based on serial numbers for these ESP guitars can be difficult as the company kept few production records. ESP was originally created to build custom replacement parts for existing guitars, and did not begin producing its own models until The guitar company hit the shores of the United States in , setting up shop in New York.
ESP introduced its first line of guitars there for the U.
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Reading pot codes How to read pot codes, and what they mean An early s pot from a Gibson guitar. Once decoded, the writing on the back or sides can be very informative If you’ve been reading articles about dating a vintage guitar, you may well have come across mention of pot codes. The pots, or potentiometers to give their full name, are the variable resistors that control volume and tone. Better quality pots are often stamped with a number of codes; typically part numbers, date of production, manufacturers codes and resistance values.
Many pots don’t carry all of this information, but the better quality guitars produced in America regularly do. So where are these codes? Normally they are stamped or inked onto the back or sides of the pot. So reading them will require opening control cavities, removing scratchplates, or in the case of a semi acoustic, removing the pots entirely. Codes can be worn, obscured by solder and other components, or simply very small. Finding them is not always easy; this is obviously not something for the faint-hearted, but once performed a few times, nowhere near as daunting as it might at first seem.
Ask the Expert – tell me about Andy’s Squier Telecaster – Musicademy
M Mexico, N Nineties s, the first number following the serial number prefix is the year. M Mexico, Z s, the first number following the serial number prefix is the year. For example, MN8 indicates that it was made at Ensenada, Mexico in CN5 made by Cor-Tek Cort in VN5 made by Saehan Sunghan in KC97 made by Cor-Tek Cort in
Otoko Music – FENDER ~~~Fender Serial number dating~~~ Fender Japan ST62 LEFTY Reissue. Made in Japan. Year Fender Telecaster. Year Made in Japan. Rosewood fingerboard. MOD with DiMarzio Twang King neck pickup. SOLD to a Japanese based in KL @ 17Nov10 Fender Floyd Rose Stratocaster Special HSS.
I often get asked, how old is my Fender guitar? Most of the time this question can’t be answered specifically. The Fender numbers tell the story of the company over the years. Unfortunately, the serial number placement is sporadic and many ID numbers over lap between years and models. In many instances, there is no exact known date for a specific guitar. That is why I decided to write this article. I want to help you understand how to tell the age of your Fender as well as any Fender you see.
Fender like Gibson has been producing guitars for many years. Certain styles and colors have come and gone over the years, but there is no real obvious way to tell how old a Fender is other than the indentification number. Unfortunately, Fender decided not to simply write the date of manufacture on the guitar. They decided that it would be easier to decipher the serial number code than just write the year on the guitar.
Catchy headlines online dating profiles Dating fender telecaster serial Regarding quailty, I have owned many of both these Japanese guitars and it is a fallacy that the than the Mexican made guitars and rival many of the USA models. I’ve only recently gotten into Teles – better late than never I suppose. Of course, a lot of the serial number and modern-era spec changes for both the Strat and Tele happen at the same time. Great photography and excellent info on dating vintage up to about !
Another good one on most Fender guitars and has an extensive reference section on all Strats and Teles
The Telecaster Custom made its debut in (see previous example, dating from that year); this reissued version was manufactured for Fender in Japan, and sold at a lower price than U.S.-made Fender instruments.
The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums. After advertising the Broadcaster in music trade papers in February 20, , Gretsch took notice and sent Fender a telegram asking them to change their name.
Therefore Fender was forced to drop the name Broadcaster. Starting around February 22, , Fender cut the word “Broadcaster” off of their headstock decals. These models February to summer are known as “NoCasters”. Starting in the summer of , Fender adopted the name “Telecaster” for this model, and started using new decals after all the old clipped decals were used. Decal attachment was the last assembly step, so NoCasters with a February neck date are seen.
Note that the above dates are accurate for the Esquire, Broadcaster and Nocaster. All Telecasters basically have the same features:
MADE In Japan vs CRAFTED In Japan Fender Guitar(s)
I shopped around at many stores, and this was the lowest price. This ’72 Tele Thinline is a Made in Japan reissue. I find the quality to be excellent, similar to Fenders made in the States. This particular model has 2 humbucking pickups – so it delivers a fat, warm sound along with a traditional Tele twang, depending on which pickups are in use. The neck and fingerboard are maple; they feel great in my hands.
The body is ash, with a natural finish.
Fender Logo Design Evolution “Spaghetti” Fender Logo Design As with the Marshall logo, the original ‘spaghetti’ style Fender logo (above) is by [someone unknown], although general chatter suggests it was based on Leo Fender’s own signature with the ‘F’ being simply reversed!
These models were Fender models and not Squier models. The stratocasters had Fender USA pickups installed and were made for the Japanese market only and not for export. The Squier series were also made available for the Japanese market in October , which incorporated small changes compared to the export Squier series. The large Fender logo of the export Squier series was soon changed to a large Squier logo. The SQ Squier series was introduced in late to early Squier Vista Series[ edit ] In , Squier began to manufacture the Vista Series, which saw them introducing their own unique guitar designs independent from the Fender mother company for the first time.
Made in the same factory as the Japanese Fenders of the era, they were known as high quality guitars. Later, in 97, a guitar version of the Musicmaster Bass was added, though it should be noted this was based on the bass design, and not the Fender Musicmaster guitar design of the s. By the Vista Series was discontinued.
Dating japanese made fender guitars history
It is the same guitar in fact that I played on a youtube video and that was featured in a blog post six years ago. It belonged to a collector of MK-related guitars who lives near my place, and when I learned that it was for sale I could not resist. With this blog post I want to focus on the Floyd Rose tremolo on such guitars. I must admit that I had never delved deep into Floyd Rose tremolos and their differences before, but with the arrival of this guitar I had a closer look at it.
Tokai Fender Copy Information. By ’85/’86 the headstocks on the Fender copies are not exact replicas of a Fender headstock. Seem to have more of an angle to them – close but not exact, this change may have accurred as early as in the
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